Thursday, May 23, 2013

AMAZING TEACHERS...

OK. IT'S LATE. I KNOW. THIS IS JUST A REFLECTION. NOTHING FUNNY TO SEE HERE :)...But I forgot to thank someone... 

Tonight is Thursday night which for me, this week, is like a Friday night and I’ve finally had a chance to reflect on the happenings over the last two weeks. Outside of my family, one of my greatest joys is the gift that teacher Mr. Trần (KP) gave me when he invited me into his South L.A. High School class. His 34 students were crammed into the classroom eager to talk about my story that they had read before I got there and weren’t sure they liked :) then “interviewed” me and let me talk with them for a long while about life and craft. It felt like a party. The one-on-one’s felt personal. 

Last week, they submitted their beautiful short stories to me for judging. Every story was full of hope and heart and youth and some were plain brilliant. That’s a testament to their teacher, Mr. Tran. He cared. I could read the lives of each student in those pages, read their hard work. And in the end, when it came time to judge last week, it was hard to decide on a winner. So…since I’m also a mom…I decided that there were (two) third place winners, (two) second place winners, one first place, and everybody else were honorable mentions. :) And next week I’ve been invited to a "Winner's Dinner" with those who placed. Sorry Mr. Tran's for the extra 2nd and 3rd place mouths to feed but they deserve it. YOU deserve the praise and your position as teacher. I've seen your results. THANKS FOR LETTING ME SHARE THOSE MOMENTS WITH YOU.

Wednesday, May 15, 2013

OH MY GOSH! L.A. WEEKLY!

So…I was standing there with Baby Boy’s barf on my arm (apparently he’s allergic to waffles) when my phone rang and I picked it up, listened, and said, “OH MY GOSH, ARE YOU SERIOUS?!!” Then, the second thing I said was a more sheepish, “Um…How do you know me?”

Today, I am still beyond belief and honored…No, beyond honored, to be recognized and named by L.A.’s Premiere entertainment magazine, L.A. WEEKLY, as a 2013 person of interest in their annual “People Issue” which celebrates artists, entertainers and visionaries who are helping to shape the city of L.A. I’ve been recognized for my work in law, as a writer, and a community servant. And I have to say, they treated me like a rock star. Not only that, the company in this Issue is amazing and includes the smoking hotness that is Tyrese Gibson, L.A. Poet Laureate Eloise Klein Healy, and actor/Star Trek superstar George Takei (I am a Trekkie, eeee!) Completely, totally, utterly humbled.

I hope you’ll check out the issue, or go directly to my interview or pick up a copy on the newsstand tomorrow, May 16th!

Thanks, y’all! And special thanks to The Last Bookstore for allowing us to do the shoot in your amazing space. Most of all, THANK YOU L.A. Weekly!

Wednesday, May 1, 2013

THE FUTURE IS BIG...

Here's another quote I had to share. Maybe one day, I'll do less sharing and write my own prolific statement. Ha! But I've found that the more I try, the less prolific I become. :)

This inspired me today. It is part of a speech delivered this past weekend in Oakland, CA by writer, activist, Rebecca Solnit. She is a force:

“The future is bigger than our imaginations. It’s unimaginable, and then it comes. To meet it we need to keep going, to walk past what we can imagine. We need to be unstoppable. You don’t stop walking to congratulate yourself. You don’t stop walking to wallow in despair, even though that’s a very fashionable wallow these days. You don’t stop because your own life got comfortable or rough. You don’t stop because you won. You don’t stop because you lost. There’s more to win, more to lose. You keep on walking. You don’t stop walking because there is no way forward. Of course there is no way. You walk the path into being, you make the way, and if you do it well others can follow the route. You look backward to understand the long history you move forward from, the paths others made, the road you came in on. You look forward to possibility: that’s what we mean by hope. But mostly you just walk, right foot, left foot, right foot, left foot. That’s what makes you unstoppable."

--Rebecca Solnit

Tuesday, April 30, 2013

STAR STRUCK! eeeeeeeee!

I am over the moon about reading at the PEN Center USA fundraiser, Forbidden Fruit with amazingly talented and well-known writers on Sunday. Woo hoo! And I am totally, utterly, and humbly, star struck. Yes, please...may I breathe the same air as you. :) 

Co-host Peter Blake writer/producer The Practice, House, MD
Co-Host Laura Bickford producer of Traffic, Arbitrage
Producer/Director/Actor John Landis reading from Catch 22
NCIS LA star Renee Felice Smith reading from To Kill a Mockingbird
LARB Founder Tom Lutz reading from The Adventures of Huckleberry Finn
Actor Julian Sands reading from Lady Chatterley's Lover
Grey’s Anatomy and Trainspotting Actor and Director, Kevin McKidd reading from George Orwell’s 1984
And me...:)


If you can make it, RSVP to Forbidden Fruit, I'd love to see you!




THE GREATEST STORIES APPEAL TO OUR DEEPEST SELVES...


“The greatest stories appeal to our deepest selves. And the deepest form of language is storytelling," says Matt Haig.

I don't know Matt Haig. I only know that a friend of mine on Facebook shared this today and I fell in love. I have a habit of printing quotes and sticking them on my wall like Duran Duran posters ripped from Teen Bop in the 80's. Magazines I had to hide under my bed because I was neither a teenager nor allowed to look at that filth. :) My walls are filled with only quotes, and rejection letters, and nice notes from strangers and friends now, and all of them inspire me.

You can check out Matt Haig's blog post titled, 30 Things to Tell A Book Snob, for some  interesting thoughts. Here are his first 11:

1. People should never be made to feel bad about what they are reading. People who feel bad about reading will stop reading.

2. Snobbery leads to worse books. Pretentious writing and pretentious reading. Books as exclusive members clubs. Narrow genres. No inter-breeding. All that fascist nonsense that leads commercial writers to think it is okay to be lazy with words and for literary writers to think it is okay to be lazy with story.

3. If something is popular it can still be good. Just ask Shakespeare. Or the Beatles. Or peanut butter.

4. Get over the genre thing. The art world accepted that an artist could take from anywhere he or she wanted a long time ago. Roy Lichtenstein could turn comic strips into masterpieces back in 1961. Intelligence is not a question of subject but approach.

5. It is harder to be funny than to be serious. For instance, this is a serious sentence: 'After dinner, Alistair roamed the formal garden behind this unfamiliar house, wishing he had never betrayed Lorelei's trust.' That took me eight seconds to write. And yet I've been trying to write a funny sentence for three hours now, and I'm getting hungry.

6. Many of the greatest writers have been children's writers.

7. It is easy to say something to people who are exactly like you. A bigger challenge lies in locating that universal piece of all of us that wants to be wowed, and brought together by a great story. There isn't a human in the world who wouldn't enter the Sistine Chapel and not want to look up. Does that make Michelangelo a low-brow populist?

8. It does not matter about who the author is. The only thing a book should be judged on is the words inside.

9. Martin Amis once moaned on the radio that there were too many writers talking across the table to their readers rather than down to them. This was the point I went off Martin Amis.

10. You don't have to be serious about something to be serious about something.

11. You don't have to be realistic to be true.

Tuesday, March 5, 2013

GOODREADS Interview: THE MAKING OF A NOVEL


I was recently tagged for this interview by my writer friend, Tiffany Hawk, author of Love Me Anyway, a St. Martin’s Press novel about the subculture of flight attendants. It’s due out in just a few months but you can pre-order now. Woot!

If it weren't for Tiffany, I may have never found my agent. And I feel so fortunate that we now share the same one. So I’m thrilled to be part of her Goodreads–Next Big Thing interview.

I was going to try to answer all ten interview questions in one setting. In fact, I was completely gung ho until question 4 and then after the second hour of compiling all the movie stars I’d want to be in the movie version of my novel, I was bushed. Ha! Writers will do anything to procrastinate. So now that I’ve burnt myself out dreaming, I’ve decided to answer a question or two every few days so that I can give it my full attention while simultaneously not missing this deadline to post an interview and tag my writer friends. :)

Here goes nothing…

What is your working title of your book (or story)?

I’m currently working on a novel whose working title recently died. It was called, The Spinning Wheel. You might immediately see why it died. I didn't. :) This title carried me through six-years of novel writing. Then, it went. Just like that. Well not, "just." A lot of people had mentioned to me that I might consider changing the title (absurd, I thought then) and like most good edit suggestions you're given, it didn't make sense to you until years later... long after that first person who said it is gone out of your life and you can't say thanks... It was that kind of edit. 

So, having heard this suggestion at least twenty times before, I was ready (mostly) when an editor who I only recently met said, “How married are you to this title?” Wow, I thought. There's something new. :) And that was the beginning. I won’t share the new title in case someone asks me to kill another darling—the title—so for now I’ll say the new title is much better.

Where did the idea for the book come from?

I remember a quote from Toni Morrison that said something like, “Write the book you want to read,” so that’s what I did. I wanted to write about the bonds of female friendships across culture, race and time, and to show that a mother’s love is limitless.

What genre does your book fall under?

Women’s Fiction. 

Which actors would you choose to play your characters in a movie rendition?

Here began my problem…(BE BACK SOON!) 

It's now about two weeks later and I'm back and have decided to abandon this question and answer the others. The only two I know I'd want for sure are Charlize Theron for a character named Cynthia and Will Smith for a character named Charles.  

What is the one-sentence synopsis of your book?

This novel is about three outcast women who, on the eve of the Civil War, are fighting the battle of their lives. 

Will your book be self-published or represented by an agency?

It's represented by a great agency in NYC.

How long did it take you to write the first draft of your manuscript?

The first draft took about three months. The subsequent fifty drafts took another five and a half years. 

What other books would you compare this story to within your genre?

I would call my novel, The Lovely Bones meets Beloved. So I'd choose those two.

Who or what inspired you to write this book? 

Push, by Saffire. The language in her book gave me permission to write the book I wanted to write. At last.


What else about your book might pique the reader's interest? 

The first draft of this novel was a screenplay that went on to win eight screenwriting awards.

I look forward to reading interviews with some of my favorite author friends next week:


Athena Lark is a writer, independent journalist and photographer. She received her MFA in Creative Writing from the University of California, Riverside. Athena has been published in the literary journal The Whistling Fire, the Florida Times Union newspaper, Jacksonville Business Journal, Jacksonville Advocate, The Albany Herald, UNF Spinnaker, UNF Alumni Magazine. Athena also worked as the Associate Producer for the documentary “Slave Market Diaries” written and directed by Clennon King. Her Associate Producer credits include her work at WJXT Channel 4 News, Jacksonville, FL. Athena has worked as a contributing commentator on the radio talk show “The Advocate” AM 1460, Jacksonville Florida. She is currently writing the novel “Avenue of Palms“ and her memoir “Sailor Girl.” Find her at athena-lark.com.

Stephanie Janis was kicked out of the kitchen at six years old and has been buying take out ever since. A Jewish American Princess and former high school English teacher, Stephanie lives in Seal Beach with her husband--a gassy garbage collector-- and her beautiful children. A freelance journalist and humorist, Stephanie is also a regular contributor for The Seal Beach Sun and reads her work as part of the women's literary troupe, "Not Your Mama's Mama Reading Series."

Monica Carter currently resides in Los Angeles, California and recently graduated from the PEN Center USA’s Mark program for Emerging Voices alumni. A PEN USA Emerging Voices Fellow 2010 and a Lambda Literary Foundation Emerging GLBT Voice 2010, her fiction has appeared in Strange Cargo, An Emerging Voices Anthology, The Rattling Wall, Black Clock, Bloom and Cactus Heart. She is finishing her novel, In the Life. She is accepting believers at www.monicacarterthewriter.com


Jennifer Givhan is a Mexican-American poet who grew up in a small, border community in the Southern California desert. A 2010 recipient of the Emerging Voices Fellowship in Poetry through PEN Center USA, her work has appeared or is forthcoming in over forty journals, including Prairie Schooner, Contrary, Rattle, and The Los Angeles Review. She is currently working on a novel titled In The Time of Jubilee, where “Lars and the Real Girl” and “The Velveteen Rabbit” meet motherhood.

Sunday, March 3, 2013

Owning It


I recently told someone that I haven’t published a personal essay that I don’t regret. This is still true. They make me feel vulnerable and to be honest, a little humiliated. You don’t have to tell me not to feel that way or tell me the obvious: don’t write them, but I did for many reasons and it's done and my reasons for continuing must have outweighed the risk. BUT I don’t regret writing them the way I did because I think essays require honesty that risks comfort. My essay in “YOU: An Anthology of Second Person Essays,” is no different. Well, yes different, because it was my first. Before I knew that there were things I didn’t have to say. “Untainted” a friend told me today after reading it. And no matter what I feel about it, I need to own it; own those experiences and that choice.

And I owe it to the hardworking publishers and editors whose blood, sweat and tears made this Anthology possible. For this reason, I hope you’ll pick it up either at the link below or if you’re at AWP in Boston in a few days, this anthology will be available at Welcome Table Press’s booth with NineBark Press. I won’t be there, but Michelle Auerbach, Brian Hoover, Dustin Beall Smith, and Rachel Yoder will be reading from it on Friday, March 8, from 10:30-11:45 at the Hynes Convention Center. Thanks.

http://www.itascabooks.com/you-an-anthology-of-essays-devoted-to-the-second-person.html