Wednesday, September 18, 2013

YAY! THE ASIAN AMERICAN LIT REVIEW - Special Mixed Race Issue



When The Asian American Lit Review (AALR) asked if I’d contribute short stories to their Special Issue on Mixed-Race as part of their Mixed Race Initiative involving 100 universities worldwide including contributions by U.S. Poet Laureate Natasha Trethewey and Afro Cuban Filipino King of Latin Soul, Joe Bataan, I was like HELLS YES!

Besides that, I thought, I’m black and AALR is a stellar platform for Asian writers. And since the writers are of all different races, that must mean “Mixed Race.” But later I found out that “mixed race” is another term for “biracial" and the like. Like my children. Oh, I thought. A little less excited about a subject that I thought was a non-issue for me.

What surprised me was how it wasn’t. How the topic was fuel, and became the subjects of not one but my two stories printed on the back of cards in this gorgeous deck—a collaboration of writers and painters and other artists from all over the world. It’s centerpiece is a global conversation on race.

“It isn’t simply a reexamination of race or a survey of mixed voices, important as both are. It’s a provocateur, inspiring new conversations and cross-pollinations, pushing into new corners.”

And since I always go for “the dirty,” I can assure you that the above quote is true.

If honest discussions on race matter to you, (not the “permitted” and sanitized version that we see on social media) SUPPORT THIS EFFORT and BUY A COPY HERE.
  
Well done, AALR!

Monday, September 2, 2013

JOSEPH MATTSON MAY BE ONE OF THE BEST ESSAYISTS OF OUR TIME


"The wicked irony of alcoholism, of addiction, is that the cure is denial: Either we’re in denial of our patterns or we’re denying ourselves what we need." --Joseph Mattson


I heard Joseph read last night at the Bird Sanctuary at Griffith Park and he totally blew me away. I liked his books, especially the title story in his book "Eat Hell," but last night he read a piece that was tragic and close in time and it was brilliant. It's about his mother's murder. The sentencing phase of the murder trial hasn't even been completed yet the essay he delivers feels complete.


I don't know many writers who can write about trauma so brilliantly while they're still experiencing it, without the essay being super depressing or turning into a meditation. 


He writes about addiction often, Skid Row-type homelessness and topics that aren't easily relatable to most people but he makes it real though hard to watch sometimes. But this particular essay that he read last night went above and beyond. He could have dragged us through the emotional pain of the story and the essay would have still been good because he's a great writer and editor anyway, but instead he found a way to look at the murder more objectively and at the same time, with so much care. He was her son. Brilliant. I encourage you to read it HERE. Thank you Joseph!

Thursday, August 1, 2013

THE DIRT as told by Chiwan Choi of Cultural Weekly


IF YOU'RE COMING TO CLOTHING OPTIONAL SATURDAY...or even if you're still thinking about it or you'll make it next time, you MUST read former-DLL reader, Writ Large Press co-founder's, piece on "the dirty". Thanks, Chiwan Choi. This is gonna be bonkers!

http://www.culturalweekly.com/the-dirty-truth-about-las-literary-scene.html


Wednesday, July 31, 2013

WE'RE ON THE RADIO!!!!

DIRTY LAUNDRY LIT Host, Jeff Eyres and I will be on LATalkRadio.com’s State of the Arts radio program hosted and produced by Michael Sterling and Paul Stroili. (60-65,000 listeners) tomorrow, August 1st, LIVE at 1:00 pm PST at www.latalkradio.com. Yay!

You can listen through your tabletop internet radios, personal computers or smart phones (smart phones need the proper app). If you listen through your computer, once you arrive on the home page of the LATalkRadio.com Network, you just click on the “Listen Live” button and you’re on board.

Don’t forget us!!!


And if you did. Ha! Or were busy. Here it is...We talked about my brief time as a video vixen--I was 13--and it became my most embarrassing moment ever, we talked about Dirty Laundry Lit, and spackle. I hope you'll check it out.

Monday, July 29, 2013

MY FIRST PODCAST...YAY!

I can't believe any of this is happening...I'm so glad you're here. This past Friday, I had my FIRST EVER on-air interview for Joseph Lapin's podcast "Working Poet Radio." All of this leading up to Thursday's RADIO interview--60,000 listeners (MY FIRST EVER!) on LA TALK RADIO. Yay! And Thursday, I'll be with my co-pilot, Dirty Laundry Lit host, Jeff Eyres (woo hoo!) promoting DIRTY LAUNDRY LIT: CLOTHING OPTIONAL. (Yay! I'll tell you more on Thursday.)

But TODAY at 2:30 pm, you'll hear how I said too much about dildos--one word is enough, no?, waiting to hear back from my agent on the novel, about writing, and I read a 3 minute excerpt from the essay I most regret ever writing (I read it to let that memory go.)

It's a conversation between friends and awkward at times because we're being recorded. And at one point, I couldn't find the words when Joseph asked me about my law work--it's so personal--and why my clients touch me. I told him ego...seeing myself in them. But if I'm honest--naked--I feel like I can see God in others then...where there's mercy.

At 2:30, can you come over? Go to Joseph's websitehttp://josephalapin.com/, scroll down to the bottom "Episode 5", and click on our podcast, set it to play and wash dishes or drive or something fun. You'll be supporting a working poet--Joseph (because people are watching his numbers and he took a chance on me and Dirty Laundry Lit. Thank YOU, Joseph!!!!) and you'll be supporting 7 incredible Clothing Optional writers (yay!), our host-with-the-most, me (of course) and our incredible volunteer team as I cheer for all of them, every chance I get, leading up to Saturday.

Thanks y'all!

Wednesday, July 17, 2013

PROOF! AND THIS MAY BE THE LAST POST ON PRAGUE...MAYBE :)

So, I've been back for three full days from Prague and it's already becoming a blur. The more I try to hold onto pieces of memories, the more they pull away. I knew in Prague that I would have a hard time bringing any of this to the surface. (See my weird post, 3 posts back)


So last night, when I was at the PEN Center USA Emerging Voices Final Reading, I told a columnist "No, no I can't be sure," I said. "In fact, I can't say with certainty that I was even in Prague, at all." She had just asked me, "Are you sure there were really babies crawling up that radio tower...I will text my friend who's there in Prague now, shooting a movie." I told her that there was a photo but...I'm not in it.

Then I read this just now. I WAS THERE. Thanks again B O D Y for inviting me to read at your Birthday Bash and to the Muse Paper Press in Prague...thank you for agreeing that I was there, too. FRIENDS, I HOPE YOU'LL READ THIS PROOF. xo

http://musethepaper.blogspot.de/2013/07/body-birthday-bash.html

Wednesday, July 10, 2013

WHAT DOES IT MEAN TO BE A FEMINIST?

WHAT DOES IT MEAN TO BE A FEMINIST? I think I am...by my own definition. Especially when it comes to literature. And as a reflection of the human condition, I like literature that shows women as heroes--at home and in the street--where soft doesn't mean weak. So when L.A. Weekly asked me to choose my favorite L.A. novel, I chose the detective novel, Shooting Elvis, by Robert Eversz which features a kick-ass female protagonist. 

In the interview, I talk about what I think it means to "come of age" as a woman and how it relates to the novel, Shooting Elvis. So THANK YOU L.A. Weekly for letting me contribute to the conversation in "17 L.A. Literary Figures Pick Their Favorite L.A. Novels." I hope you support it by clicking on the link and reading more.


Tuesday, July 9, 2013

PRAGUE: AN EXPLANATION OF YESTERDAY'S BLOG ENTRY


SO…yesterday after I posted my blog entry about Day 8 in Prague, I received a few messages and emails from friends wanting more details about Prague and the Summer Writing Program that I can't give. 

I’m not being elusive, seriously, what I’ve said is pretty much it. It has been surreal. And the facts are misleading. They might cause you to think wrongly of this trip if you knew: My luggage was lost Day 1, minute 1. Was lost somewhere in Germany. Day 1, hour three, my iphone was stolen. Day 2, I was homeless and my first thoughts were to not "freak out" my family at home. Day 3, Monday, which was the first day of the Writing Program, I dropped out and the leaving was not a pleasant one. Confrontational is the right word.

Since then, I’ve found a new center and have made my own Prague program. I feel like an expat and because of the people I’ve met, this path has been way more amazing and dreamlike than anything I could have planned. So when I talk about the experience so far, surreal is the only way I can talk about it right now.

There is a visual that might make it more clear. It’s the only photo of me in Prague so far, which isn’t really a photo of me. It’s the one that Joshua Mensch tagged me in on Facebook a few days ago. Well, I was tagged, Josh was and Crawford, too. It was taken at about 2am after we’d wandered into a park after a day I can’t remember now. And the photo is of a 600-foot-high radio tower we "discovered" there with giant babies crawling up it. And it was lit in different colors. I remember only red (you'll have to look at the photo for the facts).

While we stood there gazing up at it, Joshua talked about the artist who made it during the Russian occupation, how the artist would sabotage it while it was being built, then had to explain to me that the babies weren’t actually moving. :) [Since this post, Josh has corrected my memory...he tells me what he said was that the babies were added later, the artist (David ÄŒerny) had sabotaged a tank during the revolution by painting it pink, becoming famous as an irreverent dissident artist.] You see, talking about Prague is like giving a serious talk on giant crawling babies on a radio tower and trying to remember the history when really, the most memorable part for me, was the company and that somewhere in Prague, in a park, there are large baby butts on a radio tower. And maybe, my first question will come to mind as well: "How did those big babies get up there?" 

I suppose my fascination is made more real by the fact that my days have started at 10am and ended at about 5:00am with the sun rising while listening to folks recite poetry. Magic. So this has been my lens.

Thanks for reading and for the emails that jog my memory. :) xo

The photo:



Monday, July 8, 2013

BLACK GIRL IN PRAGUE: DAY 8

I know this is a surreal post but it's all I've got.

Being in Prague to write and explore, away from family and friends and everything familiar, feels like being dropped into a vast ocean of beauty, sinking safely, miles down, and finding treasures that I know I can't bring back to the surface. I can't because they won't survive the journey home, they're only relatable here, unique to this experience. Even trying would mean they'd be destroyed by pressure, age, or other forces that I don't know about so leaving them is bittersweet. The sweet is knowing that they'll be here for the next person to see. It's already happening.

But I have the images of these treasures stored in my memory. Some of them. Logging them as they appear. Disappear. I have no doubt that it'll be like waking from a dream when I get home to the warmth and seeming newness of my reality and the things that loosely belong to me. And maybe I will fall asleep properly from there, and find myself here again. I don't know.

As I think about it, it seems that I should be jotting down notes about what I've been doing here in Praha, the sights I've visited, the architecture, the food, the beautiful language, etc, because remembering dreams like this one (it's what it feels like now) is as promising as keeping water cupped in hands, watching it slide through even the most tightly-laced fingers. But I don't want to remember this experience with great accuracy. I want to remember the moments and how they made me feel. The things that hurt, that made me cry-laughing, or just cry, or just laugh, to be proud of--the new things and the people that have touched me deeply (and there have been a few) and made me see myself differently...and in almost no time. It's been just days. Time is fickle. Or I am.

For now, I want to trust that the memories will come back to me as quickly as they were formed in the intensity of mere days that feel like years and that these memories will come when I need them most, as life lessons, or that they'll be reborn in a new novel that I've yet to write. I'm in limbo now. My just-finished novel, tentatively titled, "Sweet Tea and Honey" has just been sent out to publishers by my agent this past week and I can feel the loneliness of waiting. Something will happen or nothing will. The work has come down to this milestone that I don't control (It's what it wanted, wasn't it?), and it's not easy to hold one's breath for so long. But it's good that I am right now since, like I said, I'm underwater at this very moment.

This coming Thursday, my last day in Prague, I will have the pleasure of reading with the international, well-respected, literary journal  B O D Y alongside talented writers like Joshua Weiner. If you're near Prague and can be here Thursday, July 11 at 7:30pm, it would be great to meet you. Tell me you read this blog and make me blush. :)

I'll try to insert the image of the invite below and if you see it there, I'm saying Yay! because it'll be the first time I've been able to insert a photo in this blog on my own. :) If not, click on "B O D Y" above and it'll take you to the live link.

Thanks for reading. xo


  

Thursday, May 23, 2013

AMAZING TEACHERS...

OK. IT'S LATE. I KNOW. THIS IS JUST A REFLECTION. NOTHING FUNNY TO SEE HERE :)...But I forgot to thank someone... 

Tonight is Thursday night which for me, this week, is like a Friday night and I’ve finally had a chance to reflect on the happenings over the last two weeks. Outside of my family, one of my greatest joys is the gift that teacher Mr. Trần (KP) gave me when he invited me into his South L.A. High School class. His 34 students were crammed into the classroom eager to talk about my story that they had read before I got there and weren’t sure they liked :) then “interviewed” me and let me talk with them for a long while about life and craft. It felt like a party. The one-on-one’s felt personal. 

Last week, they submitted their beautiful short stories to me for judging. Every story was full of hope and heart and youth and some were plain brilliant. That’s a testament to their teacher, Mr. Tran. He cared. I could read the lives of each student in those pages, read their hard work. And in the end, when it came time to judge last week, it was hard to decide on a winner. So…since I’m also a mom…I decided that there were (two) third place winners, (two) second place winners, one first place, and everybody else were honorable mentions. :) And next week I’ve been invited to a "Winner's Dinner" with those who placed. Sorry Mr. Tran's for the extra 2nd and 3rd place mouths to feed but they deserve it. YOU deserve the praise and your position as teacher. I've seen your results. THANKS FOR LETTING ME SHARE THOSE MOMENTS WITH YOU.

Wednesday, May 15, 2013

OH MY GOSH! L.A. WEEKLY!

So…I was standing there with Baby Boy’s barf on my arm (apparently he’s allergic to waffles) when my phone rang and I picked it up, listened, and said, “OH MY GOSH, ARE YOU SERIOUS?!!” Then, the second thing I said was a more sheepish, “Um…How do you know me?”

Today, I am still beyond belief and honored…No, beyond honored, to be recognized and named by L.A.’s Premiere entertainment magazine, L.A. WEEKLY, as a 2013 person of interest in their annual “People Issue” which celebrates artists, entertainers and visionaries who are helping to shape the city of L.A. I’ve been recognized for my work in law, as a writer, and a community servant. And I have to say, they treated me like a rock star. Not only that, the company in this Issue is amazing and includes the smoking hotness that is Tyrese Gibson, L.A. Poet Laureate Eloise Klein Healy, and actor/Star Trek superstar George Takei (I am a Trekkie, eeee!) Completely, totally, utterly humbled.

I hope you’ll check out the issue, or go directly to my interview or pick up a copy on the newsstand tomorrow, May 16th!

Thanks, y’all! And special thanks to The Last Bookstore for allowing us to do the shoot in your amazing space. Most of all, THANK YOU L.A. Weekly!

Wednesday, May 1, 2013

THE FUTURE IS BIG...

Here's another quote I had to share. Maybe one day, I'll do less sharing and write my own prolific statement. Ha! But I've found that the more I try, the less prolific I become. :)

This inspired me today. It is part of a speech delivered this past weekend in Oakland, CA by writer, activist, Rebecca Solnit. She is a force:

“The future is bigger than our imaginations. It’s unimaginable, and then it comes. To meet it we need to keep going, to walk past what we can imagine. We need to be unstoppable. You don’t stop walking to congratulate yourself. You don’t stop walking to wallow in despair, even though that’s a very fashionable wallow these days. You don’t stop because your own life got comfortable or rough. You don’t stop because you won. You don’t stop because you lost. There’s more to win, more to lose. You keep on walking. You don’t stop walking because there is no way forward. Of course there is no way. You walk the path into being, you make the way, and if you do it well others can follow the route. You look backward to understand the long history you move forward from, the paths others made, the road you came in on. You look forward to possibility: that’s what we mean by hope. But mostly you just walk, right foot, left foot, right foot, left foot. That’s what makes you unstoppable."

--Rebecca Solnit

Tuesday, April 30, 2013

STAR STRUCK! eeeeeeeee!

I am over the moon about reading at the PEN Center USA fundraiser, Forbidden Fruit with amazingly talented and well-known writers on Sunday. Woo hoo! And I am totally, utterly, and humbly, star struck. Yes, please...may I breathe the same air as you. :) 

Co-host Peter Blake writer/producer The Practice, House, MD
Co-Host Laura Bickford producer of Traffic, Arbitrage
Producer/Director/Actor John Landis reading from Catch 22
NCIS LA star Renee Felice Smith reading from To Kill a Mockingbird
LARB Founder Tom Lutz reading from The Adventures of Huckleberry Finn
Actor Julian Sands reading from Lady Chatterley's Lover
Grey’s Anatomy and Trainspotting Actor and Director, Kevin McKidd reading from George Orwell’s 1984
And me...:)


If you can make it, RSVP to Forbidden Fruit, I'd love to see you!




THE GREATEST STORIES APPEAL TO OUR DEEPEST SELVES...


“The greatest stories appeal to our deepest selves. And the deepest form of language is storytelling," says Matt Haig.

I don't know Matt Haig. I only know that a friend of mine on Facebook shared this today and I fell in love. I have a habit of printing quotes and sticking them on my wall like Duran Duran posters ripped from Teen Bop in the 80's. Magazines I had to hide under my bed because I was neither a teenager nor allowed to look at that filth. :) My walls are filled with only quotes, and rejection letters, and nice notes from strangers and friends now, and all of them inspire me.

You can check out Matt Haig's blog post titled, 30 Things to Tell A Book Snob, for some  interesting thoughts. Here are his first 11:

1. People should never be made to feel bad about what they are reading. People who feel bad about reading will stop reading.

2. Snobbery leads to worse books. Pretentious writing and pretentious reading. Books as exclusive members clubs. Narrow genres. No inter-breeding. All that fascist nonsense that leads commercial writers to think it is okay to be lazy with words and for literary writers to think it is okay to be lazy with story.

3. If something is popular it can still be good. Just ask Shakespeare. Or the Beatles. Or peanut butter.

4. Get over the genre thing. The art world accepted that an artist could take from anywhere he or she wanted a long time ago. Roy Lichtenstein could turn comic strips into masterpieces back in 1961. Intelligence is not a question of subject but approach.

5. It is harder to be funny than to be serious. For instance, this is a serious sentence: 'After dinner, Alistair roamed the formal garden behind this unfamiliar house, wishing he had never betrayed Lorelei's trust.' That took me eight seconds to write. And yet I've been trying to write a funny sentence for three hours now, and I'm getting hungry.

6. Many of the greatest writers have been children's writers.

7. It is easy to say something to people who are exactly like you. A bigger challenge lies in locating that universal piece of all of us that wants to be wowed, and brought together by a great story. There isn't a human in the world who wouldn't enter the Sistine Chapel and not want to look up. Does that make Michelangelo a low-brow populist?

8. It does not matter about who the author is. The only thing a book should be judged on is the words inside.

9. Martin Amis once moaned on the radio that there were too many writers talking across the table to their readers rather than down to them. This was the point I went off Martin Amis.

10. You don't have to be serious about something to be serious about something.

11. You don't have to be realistic to be true.

Tuesday, March 5, 2013

GOODREADS Interview: THE MAKING OF A NOVEL


I was recently tagged for this interview by my writer friend, Tiffany Hawk, author of Love Me Anyway, a St. Martin’s Press novel about the subculture of flight attendants. It’s due out in just a few months but you can pre-order now. Woot!

If it weren't for Tiffany, I may have never found my agent. And I feel so fortunate that we now share the same one. So I’m thrilled to be part of her Goodreads–Next Big Thing interview.

I was going to try to answer all ten interview questions in one setting. In fact, I was completely gung ho until question 4 and then after the second hour of compiling all the movie stars I’d want to be in the movie version of my novel, I was bushed. Ha! Writers will do anything to procrastinate. So now that I’ve burnt myself out dreaming, I’ve decided to answer a question or two every few days so that I can give it my full attention while simultaneously not missing this deadline to post an interview and tag my writer friends. :)

Here goes nothing…

What is your working title of your book (or story)?

I’m currently working on a novel whose working title recently died. It was called, The Spinning Wheel. You might immediately see why it died. I didn't. :) This title carried me through six-years of novel writing. Then, it went. Just like that. Well not, "just." A lot of people had mentioned to me that I might consider changing the title (absurd, I thought then) and like most good edit suggestions you're given, it didn't make sense to you until years later... long after that first person who said it is gone out of your life and you can't say thanks... It was that kind of edit. 

So, having heard this suggestion at least twenty times before, I was ready (mostly) when an editor who I only recently met said, “How married are you to this title?” Wow, I thought. There's something new. :) And that was the beginning. I won’t share the new title in case someone asks me to kill another darling—the title—so for now I’ll say the new title is much better.

Where did the idea for the book come from?

I remember a quote from Toni Morrison that said something like, “Write the book you want to read,” so that’s what I did. I wanted to write about the bonds of female friendships across culture, race and time, and to show that a mother’s love is limitless.

What genre does your book fall under?

Women’s Fiction. 

Which actors would you choose to play your characters in a movie rendition?

Here began my problem…(BE BACK SOON!) 

It's now about two weeks later and I'm back and have decided to abandon this question and answer the others. The only two I know I'd want for sure are Charlize Theron for a character named Cynthia and Will Smith for a character named Charles.  

What is the one-sentence synopsis of your book?

This novel is about three outcast women who, on the eve of the Civil War, are fighting the battle of their lives. 

Will your book be self-published or represented by an agency?

It's represented by a great agency in NYC.

How long did it take you to write the first draft of your manuscript?

The first draft took about three months. The subsequent fifty drafts took another five and a half years. 

What other books would you compare this story to within your genre?

I would call my novel, The Lovely Bones meets Beloved. So I'd choose those two.

Who or what inspired you to write this book? 

Push, by Saffire. The language in her book gave me permission to write the book I wanted to write. At last.


What else about your book might pique the reader's interest? 

The first draft of this novel was a screenplay that went on to win eight screenwriting awards.

I look forward to reading interviews with some of my favorite author friends next week:


Athena Lark is a writer, independent journalist and photographer. She received her MFA in Creative Writing from the University of California, Riverside. Athena has been published in the literary journal The Whistling Fire, the Florida Times Union newspaper, Jacksonville Business Journal, Jacksonville Advocate, The Albany Herald, UNF Spinnaker, UNF Alumni Magazine. Athena also worked as the Associate Producer for the documentary “Slave Market Diaries” written and directed by Clennon King. Her Associate Producer credits include her work at WJXT Channel 4 News, Jacksonville, FL. Athena has worked as a contributing commentator on the radio talk show “The Advocate” AM 1460, Jacksonville Florida. She is currently writing the novel “Avenue of Palms“ and her memoir “Sailor Girl.” Find her at athena-lark.com.

Stephanie Janis was kicked out of the kitchen at six years old and has been buying take out ever since. A Jewish American Princess and former high school English teacher, Stephanie lives in Seal Beach with her husband--a gassy garbage collector-- and her beautiful children. A freelance journalist and humorist, Stephanie is also a regular contributor for The Seal Beach Sun and reads her work as part of the women's literary troupe, "Not Your Mama's Mama Reading Series."

Monica Carter currently resides in Los Angeles, California and recently graduated from the PEN Center USA’s Mark program for Emerging Voices alumni. A PEN USA Emerging Voices Fellow 2010 and a Lambda Literary Foundation Emerging GLBT Voice 2010, her fiction has appeared in Strange Cargo, An Emerging Voices Anthology, The Rattling Wall, Black Clock, Bloom and Cactus Heart. She is finishing her novel, In the Life. She is accepting believers at www.monicacarterthewriter.com


Jennifer Givhan is a Mexican-American poet who grew up in a small, border community in the Southern California desert. A 2010 recipient of the Emerging Voices Fellowship in Poetry through PEN Center USA, her work has appeared or is forthcoming in over forty journals, including Prairie Schooner, Contrary, Rattle, and The Los Angeles Review. She is currently working on a novel titled In The Time of Jubilee, where “Lars and the Real Girl” and “The Velveteen Rabbit” meet motherhood.

Sunday, March 3, 2013

Owning It


I recently told someone that I haven’t published a personal essay that I don’t regret. This is still true. They make me feel vulnerable and to be honest, a little humiliated. You don’t have to tell me not to feel that way or tell me the obvious: don’t write them, but I did for many reasons and it's done and my reasons for continuing must have outweighed the risk. BUT I don’t regret writing them the way I did because I think essays require honesty that risks comfort. My essay in “YOU: An Anthology of Second Person Essays,” is no different. Well, yes different, because it was my first. Before I knew that there were things I didn’t have to say. “Untainted” a friend told me today after reading it. And no matter what I feel about it, I need to own it; own those experiences and that choice.

And I owe it to the hardworking publishers and editors whose blood, sweat and tears made this Anthology possible. For this reason, I hope you’ll pick it up either at the link below or if you’re at AWP in Boston in a few days, this anthology will be available at Welcome Table Press’s booth with NineBark Press. I won’t be there, but Michelle Auerbach, Brian Hoover, Dustin Beall Smith, and Rachel Yoder will be reading from it on Friday, March 8, from 10:30-11:45 at the Hynes Convention Center. Thanks.

http://www.itascabooks.com/you-an-anthology-of-essays-devoted-to-the-second-person.html

Thursday, February 28, 2013

What's Your Story?

140 years ago, the equivalent to “two, 70 year old ladies living and dying back to back,” you could have paid someone about $350 to own me. True story. (Yeah, good for you maybe :) Seriously, though…it’s close in time. And because my parents are among the first generation of our family to move out of a small town in Alabama since the end of American slavery and I still hear the stories, it feels closer.



Louis CK reminded me of how close in time we are so I wanted to add him to the curation for HIPPO Reads, an awesome start-up Phone App for literature. Like Ted Talks for your phone.



My co-curator, Athena Lark really brings it home with her critical essay, “Portraits of American Slavery.” And the editing prowess of Kaitlin Solimine is wonderful. Go to www.hipporeads.com and see what I said about Louis CK. It's short. Promise. xo                                      
                                

Tuesday, February 26, 2013

Can We Meet?

In the words of Cheryl Strayed, “Write like a mother f’er,” and embrace your struggle as a badge of honor… You are as unique as those who have earned the highest star in battle—a life saver—and you should never let anyone shame you out of what’s meant to be celebrated.

For my first official post, can we meet? Or maybe you'd like to know who the weirdo is behind this blog. :) I could give you my official bio but you can find that lots of places. So for now, maybe we can start with a recent interview with celebrated poet and friend, Jenn Givhan. Her blog honors mothers who are artists and I thank her for allowing me to add to the conversation. A quote from that interview is above. To read more, come with me here:

http://jennifergivhan.com/2013/02/21/natashia-deon-mother-writer-with-attitude-and-inspiration/